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Author: The Daily Beast

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Welcome to ‘The Last Laugh’: Real conversations with really funny people. Every Wednesday, The Daily Beast’s Matt Wilstein interviews some of the biggest names in comedy—as well as the new voices crashing the party—about what it’s like to make people laugh during this current cultural and political moment.

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301 Episodes
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It’s been more than a decade since Tig Notaro broke through in a big way by walking onto the stand-up stage in Los Angeles and telling her audience, “Hello, I have cancer.” And for better or worse, she has even more medical scares to joke about in her latest special ‘Hello Again,’ streaming now on Amazon Prime Video. In this episode, which marks the five year anniversary of The Last Laugh, Notaro returns to the podcast to discuss how she manages to keep finding humor in these terrifying life experiences. The comedian also opens up about collaborating with her wife Stephanie Allyne, who directed the new special, getting heckled by her twin boys at a charity event, mining her awkward interactions with celebrity friends for comedy and a lot more. Stream Tig Notaro’s ‘Hello Again’ on Amazon Prime VideoPre-order David E. Low’s ‘Transgressive Humor in Classrooms’ (20% off with code EFLY01)Follow Tig Notaro on Twitter @TigNotaro and Instagram @therealfluffnotaroFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
It’s genuinely disorienting to see Kyle Kinane without the signature beard that has become his comedy brand over the past 15 years or so when his clean-shaved face pops up on Zoom. “God, I hate brands so much,” he says. “I love nothing more than exploding personal brands.” In this episode, Kinane opens up about his decision to leave Los Angeles for Portland after losing his coveted gig as the official voice of Comedy Central and why he no longer feels like he needs the corporate structure that has kept so many of his fellow comedians tethered to the center of the entertainment industry. He also discusses why his comedy seems to appeal to both sides of the political aisle—for better or worse—and why he has no respect for any comedian who embellishes the truth on stage in an effort to “garner sympathy.”Stream/download Kyle Kinane’s new special ‘Dirt Nap’Follow Kyle Kinane on Twitter @kylekinane and Instagram @kylekinaneFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Despite never really doing comedy before ‘Girls5eva,’ Renée Elise Goldsberry has managed to steal nearly every scene she’s been in over the two seasons of that show’s initial run on Peacock and third, which arrives with a splash on Netflix this week. In this episode, the Tony and Grammy Award winning actor reveals what it was like to find her comedic voice as the self-obsessed diva Wickie Roy, including how the character has inspired her to become more ambitious in her own career and the parallels between mastering Tina Fey’s brand of rapid-fire jokes and learning to rap for her role as Angelica Schyuler in Lin-Manuel Miranda’s ‘Hamilton.’ Goldsberry talks about getting cut out of Fey and Amy Poehler’s movie ‘Sisters,’ meeting co-star Paula Pell in their musical episode ‘Documentary Now’ and why she would be “shocked” if there wasn’t a fourth season of ‘Girls5eva’ coming to Netflix in the near future. Follow Renée Elise Goldsberry on Twitter @reneegoldsberry and Instagram @reneeelisegoldsberryFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Comedian Bassem Youssef has been widely known as “The Egyptian Jon Stewart” ever since he gave up being a heart surgeon and made himself into the premier political satirist of the Arab Spring. Now, more than a decade after that career transformation took place, Youssef has been back in the news thanks to his mega-viral with Piers Morgan and subsequent outspoken commentary against both Israel and President Joe Biden. In this episode, Youssef breaks down how he has employed the darkest of humor to draw attention to the fate of the Palestinian people, shares his strong reaction to Stewart’s recent take on the Israel-Gaza War, and reveals why he thinks it might be “too late” for Biden to win back the Arab-American support he may well need to beat Donald Trump. Get tickets to see Bassem Youssef on ‘The Middle Beast Tour’Follow Bassem Youssef on Twitter @Byoussef and Instagram @bassemFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Before Donnell Rawlings was a professional comedian, he was an amateur heckler. He would go to comedy clubs and yell back at the stage, sometimes getting even bigger laughs than the guy with the mic. So even with his Dave Chappelle-produced stand-up special ‘A New Day’ dropping on Netflix this week it’s perhaps no surprise that he recently came full circle, getting caught on camera heckling fellow comic Corey Holcomb at The Laugh Factory in L.A. for going after both him and his famous friend of more than 20 years. In this episode, Rawlings breaks down that viral incident and talks about the long and “humbling” road he took to finally get his own Netflix moment. He also reflects on making a huge mark on “Chappelle’s Show” with relatively little screen time, how he felt about Chappelle walking away from that show without telling him and why he has no time for anyone who might be offended by their comedy. Follow Donnell Rawlings on Twitter @donnellrawlings and Instagram @donnellrawlingsFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Comedian Rory Scovel has never really known what he was going to say when he walked onto the stand-up stage. But that all changed when he decided—20 years into his career—to finally do the “homework” of actually writing a complete and cohesive hour. The result is his new special, ‘Religion, Sex and a Few Things in Between,’ which Scovel describes as the “tightest” set of material he’s ever produced (and is streaming now on Max). In his return to the podcast for this bonus episode, Scovel discusses how this new approach changed his experience on stage, how he still strives to stay ultra-present in his work and why he has decided to lean into politics (with an eye on George Carlin) for his next act. Follow Rory Scovel on Instagram @roryscovelFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Jenny Slate has never been a traditional stand-up comic. And after a lengthy hiatus that followed her 2019 Netflix special ‘Stage Fright’ and included both a global pandemic and the birth of her daughter, she wasn’t sure she’d ever get up in front of an audience again. “I didn’t have a system in place for how to get back up on stage. I didn’t know how to do that,” she says in this episode. But now, with her new hour ‘Seasoned Professional’ set to premiere this Friday, Feb. 23 on Amazon Prime Video, Slate breaks down how she made her way back in front of the mic and why she decided to get so intimately personal in the special. Slate reflects on how her one unfortunate season as a ‘Saturday Night Live’ cast member has informed the rest of her career, from finding the right kind of community on projects like ‘Kroll Show’ and ‘Bob’s Burgers’ to learning how to make her own unlikely success as ‘Marcel the Shell With Shoes On.’ And she discusses what it was like to pass the torch of her mixed race character on ‘Big Mouth’ to Ayo Edebiri, why she’s not sure ‘Obvious Child,’ her comedy film about abortion, would hit viewers in the same way 10 years later, and a lot more.Follow Jenny Slate on Instagram @jennyslateFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
In this improvised comedy podcast, Ike Barinholtz stars as controversial shock jock host Chris Chatman. Chatman’s hit podcast was canceled but he's listened, learned, and is back on the mic to finally win over a few female listeners. Or maybe even just one. In each episode, Chatman and his co-hosts Frankie (Lisa Gilroy) and the Professor (Neil Casey) unpack hot-button issues with expert guests butoffend pretty much everyone in the process. Guest stars include Amy Poehler, Fred Armisen, Ashley Nicole Black, Carla Cackowski, Craig Cackowski, Liz Cackowski, Jessica St. Clair, E.R. Fightmaster, Ego Nwodim, Busy Philipps, Emily Spivey, and Alice Stanley Jr. Hosted on Acast. See acast.com/privacy for more information.
Laurie Kilmartin knew that naming her new stand-up special ‘Cis Woke Grief Slut’ might be a little provocative. “I'm open to hate watches!” the comedian and longtime ‘Conan’ writer jokes in this episode. No stranger to controversy, Kilmartin also breaks down why she decided to tweet an incredibly dark series of jokes as her mother was dying of COVID in 2020, opens up about the experience of receiving death threats from right-wingers after making an abortion joke on MSNBC and why she prefers reluctant, involuntary laughter to the type of agenda-affirming applause that currently dominates late-night television. Stream Laurie Kilmartin’s new special ‘Cis Woke Grief Slut’Follow Laurie Kilmartin on Twitter @anylaurie16 and Instagram @anylaurie16Follow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Before Moshe Kasher became a stand-up comedian, his life was defined by his intimate connections to Alcoholics Anonymous, the deaf community, rave culture, Burning Man and Judaism. Each of these distinct communities serve as chapters in his excellent new book,  ‘Subculture Vulture: A Memoir in Six Scenes.’ In this episode, Kasher breaks down how these various identities helped make him the person he is both on and off stage today, from early jokes about growing up with two deaf parents to the Emmy-winning documentary about antisemitism that hits very differently in the wake of the October 7th attacks and Israel’s response. He also reads a passage from the book about how he overcame his inherent skepticism about Burning Man, explains why he feels at home on both sides of the comedy world’s woke vs. anti-woke divide and shares his reaction to all of the recent attention his wife, fellow comedian Natasha Leggero, received when she went topless on stage at the Hollywood Improv. But Moshe Kasher’s new book ‘Subculture Vulture: A Memoir in Six Scenes’Follow Moshe Kasher on Twitter @moshekasher and Instagram @moshekasherFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Jacqueline Novak spent six long years developing her “90 minute meditation on the blow job.” Now that “Get on Your Knees” is streaming on Netflix—and garnering rave reviews—the comedian sits down with The Last Laugh podcast to talk about what it’s like to give up control as viewers around the world are welcomed into her most intimate thoughts and ideas. In this episode, Novak breaks down how she decided to take her career into her own hands and create something that felt worthy of her talents after years of five-minute sets on pizza and french fries, opens up about the double-edged sword of being a female comic who talks about sex on stage and shares what she wants to do next now that her star-making project is finally finished.Follow Jacqueline Novak on Instagram @jacnovFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
When Zach Woods was first cast as Gabe on Season 6 of ‘The Office,’ he found a comment online where someone described his face as a “combination of sadness and food poisoning.” And that was before he had even appeared in an episode. “I was like, buckle up, here we go!” he recalls thinking at the time. In this episode, Woods breaks down how he went from the “abject terror” of joining one of his favorite comedy shows to channeling some of the tech world’s biggest weirdos as Jared on HBO’s ‘Silicon Valley’ to co-creating and starring as the deeply awkward fictional NPR host Lauren Caspian in his new stop-motion animated Peacock show ‘In the Know’ opposite live-action celebrities like Mike Tyson, Hugh Laurie, Nicole Byer and others. Follow Zach Woods on TikTok @zachwoods and Instagram @mrzachwoodsFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Paul F. Tompkins is widely considered to be among the best comedy podcast guests of all time. But as he tells me in this episode, he doesn’t let that pressure get to him, because he offers up humbly, “I don’t believe it.” Tompkins has done it all in his nearly four decades of comedy, from sketch to stand-up to voicing animated characters on shows like ‘Bojack Horseman’ and ‘Bob’s Burgers.’ But among his greatest comedic achievements are the hundreds of hours he’s spent improvising in character with Scott Aukerman and others on the ‘Comedy Bang! Bang!’ podcast. In this episode, Tompkins discusses how that experience has helped to shape his comic sensibility and bring him the ideal level of fame and respect within the comedy world. He also opens up about starting his career alongside alleged insurrectionist Jake Johnston, why he never wants to work with Bill Maher again and the problem with comedians who believe their only job is to offend.  Stream ‘Varietopia with Paul F. Tompkins’ on February 2ndFollow Paul F. Tompkins on Threads @pftompkins and Instagram @pftompkinsFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Is Joe Pera for real? That’s the inevitable question you start asking yourself after seeing him perform soft-spoken stand-up jokes, listening to his deliberately sleep-inducing podcast or watching his exquisitely serene Adult Swim series ‘Joe Pera Talks With You.’ In this episode, Pera goes deep on how he developed his very unique comedy style and responds directly to those who think his entire comic persona might be some sort of elaborate ruse. He also reflects on the end of his beloved and deeply personal show, reveals how Taylor Swift helped inspire his upcoming stand-up tour and tells the full story behind securing the rights to The Who’s “Baba O’Riley.” Get tickets for The Peras Tour at joepera.comFollow Joe Pera on Twitter @JosephPera and Instagram @joeperaFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
The first time Jordan Klepper and Roy Wood Jr. worked together was for a 2015 ‘Daily Show’ field piece that asked the question, “Are all cops racist?” Now, they are kicking off 2024 by joining forces once again for a series of “comedic town halls” across the country. In this episode, Klepper and Wood return to the podcast (for their fourth and third appearances, respectively) to let fans know what they can expect from their ‘America: For the Last Time’ tour and share their thoughts about the inevitable Joe Biden vs. Donald Trump rematch nobody seems to want. The pair of ‘Daily Show’ correspondents also speak openly about that show’s very public search for a host to replace Trevor Noah, including why Wood decided to step down when it seemed like it wasn’t going to be him, whether Klepper is still gunning for the big seat and what they both thought about everything that went down with their old colleague Hasan Minhaj. Get tickets for the ‘America: For the Last Time’ tourFollow Jordan Klepper on Twitter @jordanklepper and Instagram @jordanklepperFollow Roy Wood Jr. on Twitter @roywoodjr and Instagram @roywoodjrFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
If there’s anyone in Hollywood who might be immune to criticism, it’s 11-time Emmy-winner and Mark Twain Prize for American Humor recipient Julia Louis-Dreyfus. But as the comedy legend admits in this episode, the rare negative comment about her work still “stings.” That feeling is at the heart of Louis-Dreyfus’ latest film ‘You Hurt My Feelings,’ in which she delivers the most emotionally raw performance of her career. During our conversation, the actress reflects on her early struggles as a cast member on ‘Saturday Night Live’ and the catharsis of returning as host. She also reveals what she really thought about the divisive ‘Seinfeld’ finale 25 years later, breaks down the difference between ‘Veep’s’ Selina Meyer and her own “narcissistic” father and a lot more.This episode was originally published on May 16th, 2023.Follow Julia Louis-Dreyfus on Twitter @OfficialJLD and Instagram @officialjldFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
It’s time again for our annual, year-end crossover episode in which Matt Wilstein joins The New Abnormal host Andy Levy to talk about everything from how the Hasan Minhaj “emotional truth” debacle upended the search for a new ‘Daily Show’ host to the disturbing rise of TikTok comedian Matt Rife to why they are both so obsessed with Nate Bargatze and more. Follow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
It’s been more than three decades since Wanda Sykes first stepped onto the stand-up stage. And sometimes, it feels like she’s just now getting her due. The legendary comedian just received her first-ever Grammy nomination for her latest Netflix special ‘I’m an Entertainer,’ which also landed nods at the Emmys and Golden Globes. The hard-hitting hour takes on many of the most divisive topics of the year without pandering to either side or ever punching down. “It’s just noise. And I like to try to cut through that,” she says of the way her comedy reacts to the broader political conversation. In this episode, Sykes takes on everything from the problem with Dave Chappelle’s anti-trans jokes to why she was shocked Will Smith didn’t get dragged out of the Oscars for slapping her friend Chris Rock to hitting the road for her Please & Thank You tour during an election year to how she thinks about her place in the comedy pantheon and a lot more. Follow Wanda Sykes on Twitter @iamwandasykes and Instagram @iamwandasykesFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Judd Apatow is known for making long movies, from comedies like ‘Funny People’ or ‘This Is 40’  that balloon past two hours to documentaries on his comedy heroes like the two-part, four-hour films about Garry Shandling and George Carlin. So it was somewhat of a shock when he dropped a 20-minute short last month about the lifelong friendship between Don Rickles and Bob Newhart. “I’ve changed,” he jokes. “All my movies are going to be shorts now, no matter the genre.” In this bonus episode—his third appearance on the show—Apatow breaks down what made those two stylistically opposed icons a perfect off-stage pair. He also weighs in on how the art of roasting has evolved over the years, shares memories about his friend and mentor Norman Lear and explains why he thinks Lena Dunham’s ‘Girls’ is finally being fully appreciated more than a decade after its premiere. Watch ‘Bob and Don: A Love Story’ at newyorker.comFollow Judd Apatow on Twitter @juddapatow and Instagram @juddapatowFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
Before Leo Reich takes the stage at the top of his new HBO special ‘Literally, Who Cares?!’ we hear him introduce himself as the “youngest comedian ever.” As he explains in this episode, “I try to really lean into a kind of self-appointed voice-of-a-generation or young genius vibe,” before making sure to add, “in an ironic way.” That upending of expectations around the attitudes of a queer Gen Z comedian—or “rug-pulling,” as he puts it—are at the heart of Reich’s excellent new show, which first ran at the Edinburgh Fringe Festival in 2022 and premieres on HBO and Max this Saturday, December 16th. Reich talks about writing the show while he was still living at home with his parents during the pandemic, why he prefers the connection of a live audience to being a slave to the TikTok algorithm and the ultimate laziness of railing against “cancel culture.” Follow Leo Reich on Twitter @leoistired and Instagram @leo_reichFollow Matt Wilstein on Threads @mattwilsteinFollow The Last Laugh on Instagram @lastlaughpod and Threads @lastlaughpodHighlights from this episode and others at The Daily Beast Hosted on Acast. See acast.com/privacy for more information.
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Comments (5)

Jimbo Jett

Melissa sounds like such a fantastic person! I watch/listen to everything I find her in - she's 100% interesting. And this was a really great interview. Nice job, Matt! It's obvious you didn't just look her up on Wiki or Youtube; you seem to be a fan. This session came off very natural and comfortable. Tag this episode for your professional portfolio 🙂 But ultimately... Melissa! Nice.

Oct 26th
Reply

Random Stuff

Tom Green was, is and always will be an icon he paved the way for podcast platforms today😎

Jun 6th
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James Palmieri

libtards

Aug 5th
Reply

Sasha Anne Lyn

Your notes were en pointe.

Dec 28th
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Accordionbabe

Love this!

Oct 11th
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